Month: October 2012

The Dark Underbelly of Television in the 21st Century…

As I was being disappointed by last night’s episode of Last Resort (mostly with the dialogue, which felt kind of simplistic and over-expository to me), a thought began forming in my head, thanks to a conversation I had with a friend earlier in the night.

This friend had told me that he had just read the GQ Oral History about “Cheers”, and how excited he was to learn that the seminal show is on netflix streaming, so that he could finally watch the show.

After I got over my shock that he had never seen Cheers (and telling him that he had to watch the pilot immediately), it reminded me of the problem that we run into these days with television now that we have all this fantastic technology.

Twenty years ago, television didn’t have a ton to compete with.  Other than other television.  But today television shows have to compete with the entire history of television.  Because we can watch Cheers on Netflix.  Or Friday Night Lights on Amazon.  Or The Wire on DVD.  A television show today has to be compelling, broad enough to appeal to as many viewers as possible (while still also attempting somehow to compete in the same cultural marketplace that has given us Breaking Bad or Homeland), and must be something we want to see more than something that we already know is great, something we already know we will enjoy at a certain level.

Nowadays, new television is like the new restaurant that just opened up in your neighborhood.  Of course, you want to be adventurous and try it out, but what if it’s too weird?  Or too expensive?  Or even though you know their organic fare is good for you, you just can’t get around the fact that you don’t enjoy the taste?  And how many chances are you going to give them before you return to your favorite place, the restaurant where you already know they’ll grill your steak just the way you like it?

It’s a daunting task.  And that’s even before we get into all the other entertainment options we have today, from video games and youtube to you know, actual social interaction with other humans, it can’t be easy to try and find your viewers.  Especially when your success depends on finding those mystical people who watch television while pushing buttons on some weird machines telling us what they’re watching.

And Here Is Where I Begin To Fail…

With some of the shows that I’m highly anticipating yet to debut (looking at you, Nashville) or at least come back with the start of a new season (save us from comedic mediocrity, Community and Happy Endings!), it’s always at this point, about 2/3 of the way through the new fall season, where I begin to lose focus and forget that watching television is supposed to be fun.

I don’t have anything specific to add or cut yet (falling way behind, as usual, on dramas) due to my inability this week to keep up with television’s incessant demands, but a few thoughts have crossed my mind:

The Neighbors still isn’t bad, although it may be the first time that I want a show to be more cheesy/cheap looking visually – to really lean into the concept.  It got me to laugh hard once last night (to be fair, I’m a sucker for the bleeped-out curse + blacked out/blurred mouth).

Guys With Kids was defeated in the ratings last night by the aforementioned aliens show.  So… yeah.

Animal Practice also is apparently not long for this world.  Whether or not it beats Mob Doctor to the title of first show cancelled we’ll have to see.  It’s going to be a close race.

Revolution, The New Normal, and Go On all got season pickups.  So, you know, I guess NBC won’t be running a test pattern anytime soon.

YOU GUYS, WATCH Last Resort TONIGHT!  For every television fan who complains that there’s nothing good on, trust me, this is good.  And if we don’t watch it, and then we complain that nothing good is on, that’s on us.  Although to be fair, it’s really on those shady, mysterious persons known as nielsen families, so really…

YOU NIELSEN FAMILIES, WATCH Last Resort TONIGHT!

Oh Yeah, I Saw “Looper” This Weekend…

What:  Criminals in the future send people they want to disappear 30 years into the past, where people called “Loopers” kill them and dispose of the bodies.  But when one of these Loopers (Joseph Gordon-Levitt) sees that the person sent back is himself (Bruce Willis) and accidentally lets him escape, chaos ensues.

There’s actually quite a bit more, but to continue to discuss plot points would reveal a lot that you should probably experience for yourself.  Here, watch this:

 

 

Rian Johnson (who wrote and directed this, along with Brick and The Brothers Bloom) always has a very specific tone and vision for his world, and that’s one of the elements that helps keep this film so enjoyable.  Up to this point in his still-young career, he hasn’t failed to disappoint when allowing us to see what he’s playing around with in his sandbox.  Ultimately, however, one of the things that makes Johnson’s films so enjoyable is the fact that he remembers that the visuals are still to be used in support of the story, rather than in place of it, and although there are a couple of spots where it feels like there were threads that were omitted (probably for time), this movie is well worth your time.