Author: Dan

What I Learned On Vacation

Recently, I spent a week in New York, crashing on a friend’s couch, for vacation.  I had a few activities planned (an improv show, a play, a taping of The Colbert Report), but other than that, I spent much of my time wandering aimlessly through the city, which helped remind me of a few things:

 

1. Not Having Regular Access to a TV is Weird:  Although my friend I was staying with had a television and DVR, I wasn’t going to mess with his setup just to watch the shows I wanted to watch.  Instead, I kept up with a couple of shows via my iPad, which wasn’t so unreasonable.  Given how much television I actually consume, however, it did feel a little strange to not have access to the programs I ordinarily consume within 2-3 days of when it airs.

2. People are Awesome:  This may seem like a strange lesson to learn, but in Los Angeles you rarely have an opportunity to strike up a conversation with a stranger – we’re always in our cars, and all that separation from one another via metal and glass (combined with the general stress of having to drive everywhere and being cooped up in traffic and HEY WILL YOU FREAKING MERGE ALREADY?!?) makes us unwilling to open up to random strangers (other than perhaps to give them the finger).

But when you walk and ride the subway, it’s different somehow.  You’re forced to make eye contact with people, even accidentally.  You end up in situations where a person is going to talk to you and you can either be a dick, or you can chat with them for a few minutes and learn something.  I was lucky enough to end up in a few different places where I had the chance to meet total strangers, and they were interesting, unique, and inspiring (if nothing else than as a character I can attempt to portray someday in an improv scene).  I met a (former) graffiti artist, and a rabbi (not the same person) whose six month stint in NYC turned into 43 1/2 years.

3. You Need to See More Documentaries:  One thing about the NYC film scene – there are even more documentaries available to watch than there are in LA.  I took some time to check out The Revisionaries and Brooklyn Castle, two excellent documentaries that really should be seen by more or less everyone.  The former explores the Texas School Board and their effect on national textbook standards, and the latter profiles the struggles of the top Intermediate school in the country for chess as they deal with budget cuts.  Both documentaries are eye-opening, thought-provoking, and well-crafted.  Both are worth your hard earned money.

Or at least a couple hours of your life when they hit Netflix streaming.

 

 

How “Revolution” Has Managed To Suck (Me In)

When I watched the pilot for Revolution, I was hesitant.

Sure, there were some fun elements (science fiction on network television!) and the fight sequences were well conceived (especially on a television budget), but the show didn’t blow me away.  Even in the next couple of episodes, much of my thought process went through one of the following phases:

1. Poor Gus Fring.  Stuck here after having so much fun getting blown up in New Mexico.
2. Ooh fancy swordfights.
3. SHOCKING TWIST THAT I SAW COMING

But around episode three, things started to change.  Most fundamentally, the episodes began to take on a more Lost-ian quality, becoming more solidified thematically around a single idea, and focusing more and more of their narrative point of view (and most importantly, the narrative point of view in the flashbacks) around one character.

Perhaps it shouldn’t have been too much of a surprise for them to make this transition, considering that the show is executive produced by JJ Abrams, but after last night’s episode (which gave us an insight into the past of Aaron, currently functioning as the show’s less-entertaining version of Hurley), the show has converted structurally to full-on Lost mode (complete with dissonant sound effect alongside slow camera push-in to remind us just which character is providing POV for the flashbacks).

It’s not as good as Lost.  In particular, they haven’t yet mastered the greatest feat that Lost managed to pull off (especially in early seasons), in finding balance between telling a highly serialized story while making each episode emotionally stand-alone (in particular because of the way it managed to focus on whatever our lead for that week was dealing with emotionally via flashback and the present).

But it’s showing promise.  So it stays on the DVR.

A Couple of Monday Tidbits

Ordinarily I’d save these for another day, one in which I don’t already have a topic in mind, but these popped up today and led to a few thoughts:

First, due to Hurricane Sandy, a number of stations have cancelled shows or will replace them with repeats, including CBS (what do you mean there’s no new HIMYM tonight?).  Shows that tape live (including Jimmy Kimmel, who is taping in Brooklyn this week) have either be cancelled (Kimmel, The Daily Show, The Colbert Report) or are taping without audiences (Letterman, Jimmy Fallon).

 

Second, do you watch NBC’s Up All Night?

Yeah, I don’t either.  But apparently they’re switching mid-season from a single-cam to multi-cam.  Ratings haven’t been great for the show, which is more than likely on the bubble for renewal, but this change at least gives them a couple of benefits:

1. The show gets cheaper (multi-cam costs less than single-cam to produce, generally).
2. If NBC is serious about trying to open a new beachhead in the multi-camera comedy world (where CBS is king), then taking a shot at keeping an existing property on the air next year by converting it to a multi-cam (where the network currently has no hits, unless you count Whitney as a hit) – especially if it was probably going to be cancelled anyway – isn’t the worst idea in the world.

One ancillary benefit also comes from the fact that since this means the show will have to go on break for a few months to re-tool, that scheduling void (likely to hit sometime in January or so) could be when Community finally returns.